Made in BC Christmas

Made in BC Christmas events will be offered across the region to reduce distances shoppers must travel.

Admission fees will benefit the Farmland Defence League of BC and its campaigns to protect farmland and food security for future generations of BC Children.

Made in BC Christmas events will be thoroughly promoted, including:

Ø     Community service announcements in local newspapers

Ø     Paid advertising in local newspapers

Ø     Large street-facing venue banners

Ø     Sandwich board street signs

Ø     A region-wide media relations campaign

Ø     Exhaustive exposure through social media networks, including Facebook, Twitter, Linkd and MySpace and a web site will be unveiled at the start of the season.

Ø     Posters & flyers in venue communities in week before event

Made in BC Christmas Christmas events will provide holiday shoppers with on-site entertainment, event give-aways and festive refreshments. Our aim is to have a great cross-section of vendors from local artists to emerging commercial businesses to local farmers – all offering 100% made in BC products.

And whenever possible, Made in BC Christmas events will piggy back on significant local events, to provide residents with opportunities to minimize holiday making miles without diminishing the fun of the season. A Crescent Beach Christmas has been scheduled to coincide with the City of Surrey’s annual Stewart Farm Christmas, which regularly draws between 500 and 1,000 attendants for its heritage holiday celebration.

Attached are vendor registration forms for a Crescent Beach Christmas and 2 events in Fort Langley: one in November, one in December.   Registrations for venues in  South Delta, Surrey, Steveston and Vancouver will be revealed soon. It’s first come first served, so get your registrations in as soon as possible.

Donna

  • [download#33#nohits]
  • [download#34#nohits]
  • [download#35#nohits]

 

Bellevue Arts Museum

SUBMISSIONS DUE DECEMBER 15, 2011
Bellevue Arts Museum is seeking artists and craftsmen working in fiber in the Northwest (AK, BC, ID, MT, OR & WA) to apply to the BAM Biennial 2012: High Fiber Diet (October 25, 2012 – February 24, 2013). Entrants are invited to take a creative approach to the fiber medium – the theme of this edition – considering both traditional expressions of fiber art and the fringes of the medium, where art and craft merge. Proposals for new work are encouraged. Download the prospectus for more details >

PRIZES
> John & Joyce Price Award of Excellence
$5,000 cash, plus solo exhibition at BAM
> Samuel & Patricia Smith People’s Choice Award
$5,000 cash
JURORS
> ELISSA AUTHER
Author, Associate Professor of Contemporary Art, University of Colorado (Colorado Springs, CO)
> ELIZABETH A. BROWN
Chief Curator, Director of Exhibitions & Collections, Henry Art Gallery, University of Washington (Seattle, WA)
> STEFANO CATALANI
Director of Curatorial Affairs, Bellevue Arts Museum (Bellevue, WA)
> MARCI McDADE
Former Editor of Fiberarts magazine (Portland, OR)
The BAM Biennial focuses on work by Northwest artists and craftsmen with an emphasis on current and new work. It is a juried exhibition, occurring every 2 years with a new theme. Check out the artists and award winners of BAM Biennial 2010: Clay Throwdown! >

 

Pat Spark at the Whatcom Museum

A reminder that Pat Spark will be in Bellingham Nov. 5 and 6, info below.  Please excuse the second email on this event, but it has come to my attention that there is still space in the workshop on Optical Color Blending for Feltmakers and Spinners.  This is a great chance to learn from a master!  Sign-ups are open until this Friday, Oct. 28.  Please help spread the word so people who would want to take the workshop have a chance to sign up.  Thanks.
Sheri Ward
Program Chair
Whatcom Weavers Guild

Pat Spark at the Whatcom Museum

The Whatcom Museum is bringing Pat Spark, one of the founding members of the Whatcom Weavers Guild, to Bellingham in November.  While she is here, Pat will give a workshop and a talk about her fiber adventures over the past 40 years.

Pat is well known for her work in felting, and has published several books and articles on the topic. She started her textile career at WWU, went on to earn an MFA at the University of Washington, and was a professor of art for 16 years. She is a partner in the publishing firm Fine Fiber Press and Studio, which holds workshops, publishes books on fiber arts, and sells equipment for felt-makers and tapestry weavers. She has taught around the world, including a recent trip to Kyrghizstan where she taught contemporary felt-making.

Her talk and slide presentation will be on Saturday, Nov. 5 at 7 p.m. in the Whatcom Museum Old City Hall Building, located at 121 Prospect St., Bellingham.  Admission is free to museum and guild members, and there is a $3 suggested donation for non-members.

Pat’s workshop will be on Sunday, Nov. 6 from 10 a.m. to 4 p.m. on Optical Color Blending for Feltmakers and Spinners, and it will be held at the Lightcatcher Studio of the Whatcom Museum, 250 Flora St., Bellingham.

Here’s a description of the museum workshop:

Why do those beautiful, brightly colored fleeces look so great alone but turn to mud when they are blended together?  Because most of us use the same color mixing theories when mixing fiber as we do when mixing paint. Highly respected felt-maker, teacher, and author, Pat Spark will teach and demonstrate optical blending theories needed for mixing fibers in felt-making and spinning. Pat has been studying color theory, as it pertains to fiber, for 36 years. This workshop is geared for people with a little textile experience, such as spinning or felting. Participants should bring hand cards if they have them.

Cost: $80 for museum and guild members or $90 for non-members, plus a $25 lab fee for a merino variety pack of colors, felting needles, foam pad, and handouts. Maximum number of students, 12; minimum number of students, 5 to 6.  To register, contact the Bellingham Parks and Recreation Office, 360-778-7000, by Oct. 28.

 

 

2013 ANWG Conference

The 2013 ANWG Conference will be held on the campus of Western
Washington University in Bellingham, Washington, June 17 – 23, 2013.
There will be three-day workshops, three-hour seminars, exhibitions,
shopping and a fashion show.

We plan to offer a diverse and interesting schedule of classes in
fiber-related areas – weaving, spinning, design, dyeing and surface
design, embellishment, basketry, braiding, clothing construction, color
theory, computer applications, felting, knitting, ethnic investigation
and other fiber techniques. The deadline for applications is February
1, 2012. Decisions will be made by March 1, 2012.

Visit our conference website at http://www.anwg-conference-2013.com/
and click on the “Information for Instructors
<http://www.anwg-conference-2013.com/teacher-proposals.html> ” link to
download application files. You can also sign up for our newsletter on
our website.

Please share this information with your guild members. We look forward
to hearing from you.

GVWSG October 20 Meeting – Wrapped in Tradition

Thursday, October 20, day meeting at noon

Presenter: Susan Lagrove
Title: Wrapped in Tradition
Description: For well over two centuries, the Hudson’s Bay point blanket
has been a Canadian icon associated with legends of exploration and the
development of the nation. The story is a long and fascinating one that
offers an unique window into the history of Canada and North America.

Susan Lagraove’s website: www.sulaproductions.com

Greater Vancouver Weavers and Spinners Guild

Whatcom Weavers Guild WONDERFUL WEARABLES FOR EVERY BODY

Nadine Sanders, known as the Singing Weaver, will discuss the design and creation of hand-woven wearables at the November meeting of the Whatcom Weavers Guild.

Wearables from hand-woven fabric that fit, feel wonderful to wear, and look great are a challenge to many weavers. In this program you’ll touch actual garments and see images of clothing for all kinds of bodies and clothing construction abilities. From loom shaped garments, to sewing patterns that require only a few straight seams, to tailored garments, discover a pattern that will work for you. Make the garment sing with the right weave structure and yarns. Discover how textured plain weave gives marvelous drape and allows for combining many different yarns in the warp and weft. Complete the garment with embellishment and finishing touches that tastefully accompany your look. Leave with not only ideas, but a plan of action to create a wearable that gets worn!

The meeting will be on Wednesday, Nov. 9, 2011 at 7:00 p.m. at St. James Presbyterian Church’s lower level meeting room at 910 14th St. in Bellingham.  Admission is free.

For further information about the Whatcom Weavers Guild, visit www.whatcomweaversguild.org or contact Sheri Ward, info@whatcomweaversguild.org or 360-961-4956.

 

Pat Spark at the Whatcom Museum

The Whatcom Museum is bringing Pat Spark, one of the founding members of the Whatcom Weavers Guild, to Bellingham in November.  While she is here, Pat will give a workshop and a talk about her fiber adventures over the past 40 years.

Pat is well known for her work in felting, and has published several books and articles on the topic. She started her textile career at WWU, went on to earn an MFA at the University of Washington, and was a professor of art for 16 years. She is a partner in the publishing firm Fine Fiber Press and Studio, which holds workshops, publishes books on fiber arts, and sells equipment for felt-makers and tapestry weavers. She has taught around the world, including a recent trip to Kyrghizstan where she taught contemporary felt-making.

Her talk and slide presentation will be on Saturday, Nov. 5 at 7 p.m. in the Whatcom Museum Old City Hall Building, located at 121 Prospect St., Bellingham.  Admission is free to museum and guild members, and there is a $3 suggested donation for non-members.

Pat’s workshop will be on Sunday, Nov. 6 from 10 a.m. to 4 p.m. on Optical Color Blending for Feltmakers and Spinners, and it will be held at the Lightcatcher Studio of the Whatcom Museum, 250 Flora St., Bellingham.

Here’s a description of the museum workshop:

Why do those beautiful, brightly colored fleeces look so great alone but turn to mud when they are blended together?  Because most of us use the same color mixing theories when mixing fiber as we do when mixing paint. Highly respected felt-maker, teacher, and author, Pat Spark will teach and demonstrate optical blending theories needed for mixing fibers in felt-making and spinning. Pat has been studying color theory, as it pertains to fiber, for 36 years. This workshop is geared for people with a little textile experience, such as spinning or felting. Participants should bring hand cards if they have them.

Cost: $80 for museum and guild members or $90 for non-members, plus a $25 lab fee for a merino variety pack of colors, felting needles, foam pad, and handouts. Maximum number of students, 12; minimum number of students, 5 to 6.  To register, contact the Bellingham Parks and Recreation Office, 360-778-7000, by Oct. 28.

 

Fiber Arts at the Lightcatcher

The Whatcom Museum will host a show and sale by the Whatcom Weavers Guild, entitled Fiber Arts at the Lightcatcher, on Saturday, Nov. 19 from noon to 4 p.m. in the Lightcatcher Building, 250 Flora St., Bellingham.

The guild will demonstrate and provide hands-on opportunities for weaving and spinning for the public; hand-crafted fiber work of the guild’s membership will be available for show and sale.

There is an admission fee of $3 for those who are not museum or guild members.

 

For further information about the Whatcom Weavers Guild, visit www.whatcomweaversguild.org or contact Sheri Ward, info@whatcomweaversguild.org or 360-961-4956.

 

 

12 Textile Artists “Felt Amazing” in Vancouver.

On October 7th, URBANITY will open an exhibition in the store showing the work of 12 national and international felt-makers, under the title —

12 Textile Artists “Felt Amazing” in Vancouver.

Please look at the work of the artists participating (below), and you will understand why I am so excited about this exhibition.   The show coincides with the lecture, workshop, and exhibition of Jori Johnson’s work to take place at the Silk Weaving Studio as part of the Maiwa Symposium on Granville Island.  Please join us on October 7th from 7-9pm for the opening of the exhibition, which runs until October 21st.

Julia

Breanna Rockstad-Kincaid | Tennessee | www.feltgoodfibers.com

Charlotte Buch | Denmark | www.charlottebuch.dk

Claudia Rosillo | Uruguay |  www.texturable.com

Dagmar Binder | Germany| www.textillabor.de/

She Felt | Vancouver | www.shefelt.ca

Karin Wagner | Switzerland | www.karin-wagner.ch

Lauri Chambers | Washington | www.laurichambers.com

Lisa Klakulak | North Carolina | www.strongfelt.com

Marjolein Dallinga | Quebec | www.bloomfelt.com

Sandra Loeffelman | Washington | www.studiovermilio.com

Sarah Fox | Oregon | www.sarahfox.com

Torill Haugsvaer Wilberg | Norway | http://www.torill.no

 

Jorie Johnson’s exhibition Warm Biz

Join us for the opening of Jorie Johnson’s exhibition Warm Biz at the Silk Weaving Studio.

Friday, Oct. 14, 2011 6 – 8pm

Jorie will be in attendance, visiting from her home in Kyoto, Japan. This exhibition is part of the Maiwa Symposium 2011. The exhibition will continue until Tuesday November 15th


Jorie has developed her own innovative approach to the 8,000-year-old central-Asian technique of feltmaking. By working various materials such as silk, rayon, and mohair into the felt product, Jorie obtains painterly textures that are never static. Rich colours complement the fibre variations resulting in a cloth that speaks with a voice of lightness and strength.


The Silk Weaving Studio
1531 Johnston St.
Granville Island
Vancouver Canada